Songwriter – F-BOD http://f-bod.com/ Thu, 16 Sep 2021 05:14:07 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://f-bod.com/wp-content/uploads/2021/09/fbod-150x150.png Songwriter – F-BOD http://f-bod.com/ 32 32 British Columbia singer-songwriter Hannah Epperson thrilled to be back on stage https://f-bod.com/british-columbia-singer-songwriter-hannah-epperson-thrilled-to-be-back-on-stage/ Thu, 16 Sep 2021 01:43:25 +0000 https://f-bod.com/british-columbia-singer-songwriter-hannah-epperson-thrilled-to-be-back-on-stage/ For singer-songwriter Hannah Epperson, performing in front of an audience in person has always been a big part of her music. “An integral part of how I understand and feel my way through interpreting music is responding to the unique dimensions of a room,” says Epperson. “Sound is a physical thing. He moves in different […]]]>

For singer-songwriter Hannah Epperson, performing in front of an audience in person has always been a big part of her music.

“An integral part of how I understand and feel my way through interpreting music is responding to the unique dimensions of a room,” says Epperson.

“Sound is a physical thing. He moves in different spaces in different ways. It’s affected by temperature, the angles of a ceiling, and those animated waterbags that humans are and that’s always been a big part of how I understand and bring the music I play to life.

Sadly, Epperson, like so many other musicians, found herself stranded at home, unable to hit the road, and relegated to virtually playing for months due to the coronavirus – something that hasn’t been easy for her.

“I think some people have adapted very well to these new online platforms,” she says. “For me, that was definitely not the case. I so need the energy of a real live audience in a room with me to feel compelled and move to play live music.

“I basically stopped at the creative level. It has been really interesting to see different people react to COVID in different ways. I think some people have found it really liberating to have all this free time and to be extremely productive. I fall on the other side of this spectrum, I hardly touched any of my musical instruments. I didn’t listen to music, I consumed very little art, ”she adds.

But on Saturday, September 18, Epperson will have the opportunity to once again feel the energy of a live audience when she takes the stage at the Victoria Event Center. This will be her fifth live show since resuming her live performances after the start of the COVID-19 pandemic.

“I’m quite happy to be back in a room with the bodies of other people. I’m excited, ”she says. “Since things opened up again, I have done two [shows] in New York, one in Maine and one on Mayne Island, and it’s been fantastic. Just indescribable ecstasy.

Epperson, who plays a violin and loop pedal, has been described as an “avant-garde neo-classical, folk / indie rocker and pop composer and musician,” although she admits that it is difficult. to classify his style.

“It gets more and more vague every time I try to elucidate exactly what my music is,” she says. “I’m pretty happy right now to call it 440 hertz whale music.”

Epperson was born in Salt Lake City but raised in Vancouver, graduating from Kitsilano High School and the University of British Columbia. She also lived in New York City until early last year when she returned to Vancouver just weeks before the world closed.

“Getting back from New York and going into lockdown immediately was pretty tough. I had been very happy to reconnect with Vancouver’s music and arts community, which I felt was part of an early part of my life and career. It was quite devastating to return to Vancouver and immediately quarantine without having been able to rekindle many friendships. “

Although music was a part of her life growing up – she received a classical training and learned violin tunes by ear at the age of 10 – it was not something she had envisioned. to pursue as a career.

“I never wanted to be a musician. I went to college and was very, very interested in academics. I studied human geography and thought I would do a master’s and maybe a doctorate, ”she says. “It was the road I really thought I was on.”

But that all changed in 2013 when she met a man and ended up becoming a finalist in the Peak Performance Project, earning a nice sum of money that allowed her to pursue a career in music.

“I started dating a musician and thought, ‘Hey, I can follow this, I can follow this person,’ and on a whim I got into the Peak Performance Project and I was finalist, ”she said. “It was huge and it kind of shifted the kaleidoscope in a way that made me realize that, okay, I guess maybe being a musician is a hat I have to wear with some conviction. for a certain time.”

“Earning money from the Peak Performance Project allowed me to embark on incredible interdisciplinary art projects that had no funding and that I wouldn’t have been able to participate in otherwise and I became addicted,” adds she does.

Since then, Epperson has successfully carved out a career in music, having performed to crowds in North America, Europe and the Middle East. She also released a few records – Upward sweep in 2016 and To slow down in 2018 – has a new single coming out soon and is happy with how things turned out.

“If I had a meeting with a financial advisor, they might say otherwise, but it’s been an amazing trajectory and I wouldn’t change it,” she says.

Hannah Epperson performs at the Victoria Event Center, 1415 Broad St., September 18. Doors open at 7 p.m. Tickets range from $ 20 to $ 126 and can be purchased by clicking here. Participants will need to show proof of vaccination at the gate in order to enter the site. For more information on Epperson, click here.

Epperson performs live at the Victoria Event Center, 1415 Broad St., Saturday. (Photo provided)

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Toad the Wet Sprocket are again a, “From Now” https://f-bod.com/toad-the-wet-sprocket-are-again-a-from-now/ Tue, 14 Sep 2021 13:55:16 +0000 https://f-bod.com/toad-the-wet-sprocket-are-again-a-from-now/ In 2019, it was obvious that there would be a new Toad the Wet Sprocket album. As frontman Glen Philips worked with what he thought was new solo material, something was wrong. What he had was a Toad record. “We had taken a long break before recording together,” says Phillips, “and it was like we […]]]>

In 2019, it was obvious that there would be a new Toad the Wet Sprocket album. As frontman Glen Philips worked with what he thought was new solo material, something was wrong. What he had was a Toad record. “We had taken a long break before recording together,” says Phillips, “and it was like we had the right songs and the right energy again. “

Recording at the end of January and beginning of February 2020, laying the drums and aligning the basic tracks, just as the group was about to deepen their seventh album. From now on (The SRG / ILS group), and the first in eight years since New constellation, it all came to a halt around the pandemic, forcing the band to continue working on the album via transferred email files.

Songs were everywhere, some written years earlier, while others dealt with more personal uncertainties and hitting the restart button, in life. All along, From now on is surrounded by hope with the title song cutting the theme of facing an unforeseen future, while finding the center in the present ”, through“ The Best of Me ”, Phillips’ love song to his girlfriend with the guest voice of Michael McDonald. “Her voice takes care of itself because it occupies such a beautiful particular space,” says Phillips. “He [McDonald] sent on all these tracks, we just lost our shit. I love it.”

An earlier piece that Phillips started writing several years ago, “Hold On” initially addressed the border politics of the old administration, then moved on to something broader, while “Truth,” fleshed out around a quote from Frederick Douglass, “Truth is good and beautiful at all times, in all places.

“We’ve all been through two crazy years and I wanted to dig deeper into what it’s like to be out of the way and find a new way to live on the other side,” says Phillips. “How do we not only survive, but we actually put down roots in such unusual times? “

As he gathered From now onPhillips was also facing bigger changes in his life, the end of his 23-year marriage and the departure of his children from home, all of the changes he says have transformed his relationship with songwriting.

“I don’t write songs,” says Phillips. “I write from where I am if that makes sense. I write a few songs like letters from my future better self to my current self, hoping to increase my chances of happiness, so this is my therapy. Even when it can be read like I’m didactic, I try to avoid that line of “be like me, and then you’ll be happy.” ”

He adds: “For me it’s a lot more about gender: ‘I’m trying to find my way in nature, and I need all the help I can get, so the songs are my own breadcrumbs. for the things I know to be true but often forget, and in this area it is about leaning towards hope.

Over time, there’s less of the youthful ego, Phillips says, that whatever you create is worth hearing, or that “pretending” is good enough. “I fell very low during the divorce and had to take a personal spiritual toll and find my way back to my goal,” he says. “I am not a deist per se, but I had to redefine this as spiritual work for myself. I just write what I write. If people get it, that’s fine.

Over time, Phillips says his focus shifted to writing songs that serve as tools for people and references his 2016 solo album. Swallowed by the new like a collection of songs centered on mourning – the loss of a loved one or a life they once knew. Other elements of Phillips’ spiritual change are a deeper practice of yoga and being in the present moment, and the community song circles that Phillips has held over the past five years at a non-denominational church in California.

“I found my purpose in music,” shares Phillips. “A big part of it was leading those circles and providing a place for people who wanted a spiritual outlet and maybe didn’t have one or who had grown up in a religion so dogmatic as to be marked by it. Doing this kind of work took me to a different place with what songwriting means, so there’s a little less fluff now and a little more purpose.

Writing is also part of this escape and therapy. “It allows us to escape those circular thoughts and go somewhere more relaxed so that when we come back to the things we need to pay attention to, we can do it with a little more wisdom and a little more objectivity. , and a little more less mental and emotional strain, ”says Phillips.

“From now on, that’s pretty much it,” he adds. “Living with regret is just as bad as living with worry about the future … and I’m mostly stuck in between.”

Reflecting on 35 years with Toad the Wet Sprocket, Phillips says it’s complicated, really complicated. There are family aspects to the group, but they are not the ones who go on vacation together after the tour is over.

“In some ways our distance is probably what has contributed to our longevity,” he says, “This year I think I gave credit to the other band members for their evolution, where I can sometimes be locked up. by being careful and keeping myself in reserve. because I expect people to act like they did 15 years ago.

There is a slow thaw around the making of From now on, in a sense a new start for Toad the Wet Sprocket. From now on also marks Toad’s first album without their original drummer Randy Guss since the band’s debut in 1989 Bread & Circus. Guss split in 2020 and was replaced by Josh Daubin, who had worked with the band on previous tours. “We were with someone new, so it’s a huge change and a change in the chemistry of a band that has been together for 35 years,” says Phillips. “A lot of relationships are more family-oriented, so it really changed that dynamic, and I think it gave us a chance to relearn how we treat each other.”

Philips adds: “We intended to be a group that would feel when things weren’t going well but not when things were going well, and I think we get better at asserting, or just being nice. to each other, therefore, it gave us the opportunity for a lot of growth.

“These relationships are so old,” he says. “We met in high school and we’re really different people. The difficulty, I think, really comes when you expect other people to be something they’re not.

Still proud of Toad’s current situation, Phillips is in a space of renewal… and it all starts all over again.

“I tend to focus more on regrets, the times when if I had known what I know now, or if I was grateful, or if I was more understanding, things would have been better”, explains Phillips. “There is a fine line between regret and simple learning. It’s such a strange life.


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Meet Riela, the Miami singer-songwriter who makes the soundtrack of our entanglements https://f-bod.com/meet-riela-the-miami-singer-songwriter-who-makes-the-soundtrack-of-our-entanglements/ Sat, 11 Sep 2021 18:02:10 +0000 https://f-bod.com/meet-riela-the-miami-singer-songwriter-who-makes-the-soundtrack-of-our-entanglements/ During a Zoom call, riela reveals that she never really intended to release her latest EP, Tranquility and Tropical. Miami singer-songwriter tells Remezcla that she stopped making new tracks for a while after graduating from Berklee College of Music in Boston, but had some sort of epiphany along the way. “I did an internship and […]]]>

During a Zoom call, riela reveals that she never really intended to release her latest EP, Tranquility and Tropical. Miami singer-songwriter tells Remezcla that she stopped making new tracks for a while after graduating from Berklee College of Music in Boston, but had some sort of epiphany along the way.

“I did an internship and worked in music, but I got to a point where I was like, ‘I love the people I work for, and I love all that stuff… But why shouldn’t I work on these things for myself?‘” she says. “‘I can do it. I just have to be confident. Even though I’m just getting started… This point where I am is is a really good place to be.

riela is the daughter of Cuban and Panamanian immigrants. She notes that growing up in Miami often meant being at the crossroads of different sound atmospheres, like the way you could go from hearing beachgoers blasting El General on their stereos, to buskers strumming nylon string guitars. on walks down Calle Ocho with your grandmother. , all in the same day. She speaks of hearing panpipes on her childhood visits to Panama with the same enthusiasm as her love for Usher’s vocal songs in her cover of Phil Collins “You will be in my heart.”She has been singing since the age of six or seven, playing guitar, and trying her hand at the piano for a while, but mentions that her time at Berklee (as well as her work under the direction of music teachers like Nichelle Mungo) led her to really perfect her vocal technique.

“I was just working really well at singing, rather than trying to perfect the guitar or the piano,” she says.

In early 2020, riela suddenly found herself working fewer hours due to the pandemic, but she turned her attention to a set of songs that would eventually become Tranquility and Tropical, a fusion of alternative R&B and perreo-worthy hooks, and the first installment of a tarot-inspired EP trilogy (“This one is based on The Fool,” she adds). One of his first singles, “mala maña”, got him a shout on the SoundCloud blog, Repost Rewind, which, she says, gave her the nudge to continue.

Photo by Myai Anthony

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the sound of riela makes her a sort of misfit. It’s contemporary in how she quickly jumps between English and Spanish in the same line over punchy, heavy bass drum trap rhythms, but also retreats into the alluring and mellow reverie of ’90s R&B. She makes music you can rock on, silky vocals and all, but her lyrics can also reflect the confidence of your favorite rapper.

His latest song, “lyu2” (short for “Like You Used To”) stars fellow Miami native and singer Marcos G, and is the first single from his upcoming EP, llorar and perrear, set to drop in early 2022. “lyu2” crushes its syrupy, dembow-focused pop influences, and is the bittersweet soundtrack to those summer nights lost in deep ruminating because you know your relationship has taken a turn – texts or calls from you have become rarer and rarer and you can’t help but wonder if something went wrong, or if everything is in your head.

“I hadn’t heard from this person after talking to them 24/7,” says Riela. “I [told] marcos all on that… It was super fresh, maybe two days later? We wrote this song the night we met. I idealize a lot, and it’s hard to be honest with yourself when you might be at fault, like “was I clingy?” “Was I also this or that?”

Anyway, “lyu2” gives voice to that much too recognizable feeling where you are just waiting for some sort of sign: “No quiero jugar / solamente quiero estar / a tu lado sin pensar / que te voy a molestar… You don’t hit me like before / like you started playing games I’m not used to.

While the output of llorar and perrear is still a few months away, riela hinted at what listeners can anticipate this time around: some rock and pop touches, some acoustic material, trap and reggaeton melodies, as well as more experimental sounds.

“I’m sure I’ve been [categorized] like “Latin” because I have elements of Latin music, but there is more to it… I think that over time things will change more and more. I hope I can help be part of this change.


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Freelance singer-songwriter Faye Webster visits El Club in Detroit with critically acclaimed record – The pink report news https://f-bod.com/freelance-singer-songwriter-faye-webster-visits-el-club-in-detroit-with-critically-acclaimed-record-the-pink-report-news/ Fri, 10 Sep 2021 03:51:53 +0000 https://f-bod.com/freelance-singer-songwriter-faye-webster-visits-el-club-in-detroit-with-critically-acclaimed-record-the-pink-report-news/ Click to enlarge Photo by Pooneh Ghana. Faye Webster. What was we to do at 24? Either way (a combination of Starbucks, Planned Parenthood, and asking parents for money, if we’re being honest) we guarantee that it didn’t release our fourth studio album which accomplished a near impossible feat. : A critical Pitchfork score of […]]]>

Click to enlarge

  • Photo by Pooneh Ghana.
  • Faye Webster.

What was we to do at 24?

Either way (a combination of Starbucks, Planned Parenthood, and asking parents for money, if we’re being honest) we guarantee that it didn’t release our fourth studio album which accomplished a near impossible feat. : A critical Pitchfork score of 8.4.

Leave the care to Faye Webster, originally from Atlanta, who released I know I’m funny haha earlier this year to rave reviews, and rightly so. For the record, Webster compacts the multitudes it absolutely contains. For example, she enjoys EDM from video game soundtracks, does yo-yo tricks, collects Pokémon cards, and writes, as Pitchfork’s review editor Jeremey Larson describes, “The Independent Country and the Nasal R&B ”where“ comedy and tragedy are indistinguishable ”.

On “A Stranger,” Webster playfully contradicts his own feelings as if to share with us the process of retracing his internal steps while creating a bit of a bitch. “You know, I loved being bored,” she sings. “But now, without you, I have so much time to think that there is nothing left to think about.”

For his performance in Detroit, Webster will be joined by fellow Atlanta rap duo Danger Incorporated.

Doors open at 7 p.m. on Monday, September 13 at El Club; 4114 Vernor Hwy., Detroit; 313-279-7382; elclubdetroit.com. Tickets cost $ 13.


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Alexander Biggs, du0 and Teenage Joans win songwriting competition in USA https://f-bod.com/alexander-biggs-du0-and-teenage-joans-win-songwriting-competition-in-usa/ Wed, 08 Sep 2021 23:12:45 +0000 https://f-bod.com/alexander-biggs-du0-and-teenage-joans-win-songwriting-competition-in-usa/ Three Australian artists are today among the 38 international winners of the 2021 edition based in the United States Unsigned music competition only. Singer / songwriter Alexander biggs (Melbourne, VIC) and EDM artist from0 (Brisbane, QLD) both won first place in their respective categories. Biggs won first place for the song “Madeleine” in the Folk […]]]>

Three Australian artists are today among the 38 international winners of the 2021 edition based in the United States Unsigned music competition only.

Singer / songwriter Alexander biggs (Melbourne, VIC) and EDM artist from0 (Brisbane, QLD) both won first place in their respective categories.

Biggs won first place for the song “Madeleine” in the Folk / Singer-Songwriter category, while du0 (aka Ryan Dobbrick) took first place for the song “Come Home” in the EDM category.

During this time, Teenage joans received second place in the AAA category, for their song “Ice Cream”. In addition to these winners, 16 Australian artists received honorable mention in their competition categories (see below for a full list of Australian winners).

The 2021 Global Grand Prize went to the emerging teenage singer-songwriter, and America has talent Star, Sophie pecora.

The winners were selected from nearly 10,000 entries from 120 countries, and the three Australians split over US $ 150,000 in cash and prizes split among 38 winners.

The winners were selected by a jury of top industry experts and renowned artists, including: Chris Daughtry (Daughtry); Aimée Mann; Real Sanctus; RAME; Ruthie Foster; Robert Smith (The Cure); David Benoit; Linda Perry; NLE Choppa; Bibi Marin (Reik); The devil makes three; Showtek; LoCash; and many others (see full list below). The jury also included music journalists from Rolling stone, Guitarist, JazzTimes, Yahoo Music, No depression; Pandora; Blues music magazine; Austin Chronicle; and more.

To view all the winners and listen to the winning songs, go here: https://www.unsignedonly.com/winners

2021 Unsigned Only Music Competition – Australian Winners and Honorable Mentions

First place
Alexander Biggs (Melbourne, VIC) – “Madeleine” – Folk / singer-songwriter
du0 (Brisbane, QLD) – “Come Home” – EDM (electronic dance music)

Second place
Teenage Joans (Adélaïde, SA) – “Ice Cream” – AAA (Alternative Adult Album)

Honorable mentions
Alter Boy (Perth, WA) – “Bad Dream Break In” – AAA (Alternative to Adult Album)
Alter Boy (Perth, WA) – “Bad Dream Break In” – Pop / Top 40
Bree Rusev (Newcastle, NSW) – “Drift” – Teenager
Chuditch (Perth, WA) – “Grab the Water” – Folk / Singer-Songwriter
ELKI (Sydney, NSW) – “Spend Your Life” – AC (Adult Contemporary)
Em George (Sydney, NSW) – “Light Comes In” – AAA (Alternative to Adult Album)
JEFFE (Brisbane, QLD) – “Home” – AC (Adult Contemporary)
Jessica Arlo Irish (Sydney, NSW) – “Breath Ft. Sihyun Park” – Instrumental
Josiah McAllan (Alice Springs, NT) – “Sanctify Me” – Christian
Lachlan Edwards (Newcastle, NSW) – “Little Too Late” – Folk / singer-songwriter
Leonie Kingdom (Hervey Bay, QLD) – “Night Terrors” – Folk / singer-songwriter
LT (Cairns, QLD) – “How Would He Feel” – AC (Adult Contemporary)
Natasha Duarte (Sydney, NSW) – “Can’t say for sure” – AC (Adult Contemporary)
Rumors (Melbourne, VIC) – “If Only You Could Feel Something Too” – Rock
Sage Rogan (Melbourne, VIC) – “Dusk” – Instrumental
Zoe A’dore (Melbourne, VIC) – “Read” – Pop / Top 40


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Songwriting is a profession, ask for help if you are not good at it – Zapp Mallet to Musicians https://f-bod.com/songwriting-is-a-profession-ask-for-help-if-you-are-not-good-at-it-zapp-mallet-to-musicians/ Sat, 04 Sep 2021 19:55:28 +0000 https://f-bod.com/songwriting-is-a-profession-ask-for-help-if-you-are-not-good-at-it-zapp-mallet-to-musicians/ Music producer Zapp Mallet commissioned Ghanaian musicians to enlist the help of songwriters in the creative process. According to him, having good vocal talent is not the same as being a good songwriter. Speaking on Showbiz from A to Z, on Joy FM on Saturday, Zapp Mallet said many great musicians have been successful because […]]]>

Music producer Zapp Mallet commissioned Ghanaian musicians to enlist the help of songwriters in the creative process.

According to him, having good vocal talent is not the same as being a good songwriter.

Speaking on Showbiz from A to Z, on Joy FM on Saturday, Zapp Mallet said many great musicians have been successful because they seek songwriting services to make sure they deliver quality content.

“For me, I think we should understand the fact that writing and creating songs is a different ball game in and of itself. Just because you’re an artist doesn’t mean you absolutely have to write a song.

“There were some really great artists who didn’t write songs, but they were still great. Today Ed Sheeran writes songs for a lot of people, so just because you’re an artist doesn’t mean you have to write a song, ”he explained.

Zapp Mallet told George Quaye that in the same vein, songwriters aren’t always great musicians. Thus, the two creative actors should collaborate instead of forcing themselves to sing or perform the content they create.

He said that you can always find a suitable artist to perform the music they write.

“Some people write their songs and they do badly with their performance. It could have been done better by a much more appropriate artist, I think these are some of the things that we have to consider as a musical fraternity.

The producer also urged Ghanaian musicians to collaborate more, saying their creative dynamics and differences can spawn some of the country’s greatest songs.


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Apple Festival will offer a variety of musical entertainment https://f-bod.com/apple-festival-will-offer-a-variety-of-musical-entertainment/ Thu, 02 Sep 2021 04:44:30 +0000 https://f-bod.com/apple-festival-will-offer-a-variety-of-musical-entertainment/ You know the end of summer is approaching when the North Carolina Apple Festival hits town. This weekend, organizers have selected nine free concerts of live music to quell the crunch of people eating fresh mountain apples on the streets of downtown Hendersonville. “The Apple Festival offers all kinds of music on the main stage […]]]>

You know the end of summer is approaching when the North Carolina Apple Festival hits town.

This weekend, organizers have selected nine free concerts of live music to quell the crunch of people eating fresh mountain apples on the streets of downtown Hendersonville.

“The Apple Festival offers all kinds of music on the main stage in front of the historic courthouse! Said Pat Shepherd, one of the festival’s co-chairs for entertainment.

She and John Shepherd have performed for the Festival for over 40 years. “There is definitely a band for everyone to enjoy! “

Indeed, there is: everything from the sound of the big band of the Buddy K Band to the country gospel of the Carolina Quartet to the funk of the Free Flow Band and the dance group like no one watches The Mighty Kicks.


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UB In Memoriam: Singer / Songwriter Sam Salter – UrbanBridgez.com https://f-bod.com/ub-in-memoriam-singer-songwriter-sam-salter-urbanbridgez-com/ Sun, 29 Aug 2021 01:23:22 +0000 https://f-bod.com/ub-in-memoriam-singer-songwriter-sam-salter-urbanbridgez-com/ Today, late 90s r & b singer and songwriter Sam salter died at the age of 46.No other information was disclosed by his family. “I was floored,“declared Co-founder of LaFace LA Reid in 1997, recalling the day satThe demo tape of s first reached his ears. “He’s a great singer. I mean, we live in […]]]>
Today, late 90s r & b singer and songwriter Sam salter died at the age of 46.
No other information was disclosed by his family.

I was floored,“declared Co-founder of LaFace LA Reid in 1997, recalling the day satThe demo tape of s first reached his ears. “He’s a great singer. I mean, we live in a time where you don’t necessarily have to be, but it is!

Sam salteris smooth, classic R&B the style was easily evident on “After 12 Before 6,” his start Single. Co-written through Salter, it tells the story of a man trying to balance a career and relationship.

The second of Seven children, sat developed his gospel-Voice tinted like a child in Los Angeles, singing to the Faithful Church of God in Christ. By the time he got to high school, he had plunged headfirst into the R&B world, ultimately winning the school’s talent show in her senior year, having lost in three previous tries.

Sam salter counted Stevie Wonder and LaFaceco-founder of Kenny “Babyface” Edmonds among his inspirations. “They are very sincere in what they do,” he said. “They put it all in every song. And I’m a fan of longevity. They knew how to support him, [and] this is what I want to do.

Part of satthe magic of is rooted in Réséda high school, where he learned after participating in annual talent competitions. Of them years in a row he lost; his third year he won second place. But his Senior year, his interpretation of H-Town’s “Knockin ‘the Boots” won first place and Sam saltertenacity paid off in the princely amount of $ 30 his cash prize for winning first place.

This determination also put him on the fast track to LaFace Records when his demo reached the office of Antonio “LA” Reid, who quickly signed the melodious man-child ballad and sent it to Atlanta. “Sam Salter is the epitome of the soul, “declared Reid. “He really is the friend of a song. Her voice is so rich and her emotion is so pure. Salter is the best singer I have ever worked with.

In agreement was Kenny “Babyface” Edmonds. “It has been a long time since we’ve met a singer as diverse and charismatic as Sam Salter. He has a style and a talent that have long been lacking in the music world. He can sing a ballad with a soft voice which leaves you feeling soft. When I grow up I want to sing like Sam.

Sam salter‘s to follow the album was put aside by The face, due to merger. Over the years he collaborated with Babyface, Destiny’s Child, Tyrese, Frankie J and Black-eyed peas taboo.

In 2010, he released Three new singles and in 2011 he released the new single, “To be loved.




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David Duchovny announces release of third album ‘Gestureland’ https://f-bod.com/david-duchovny-announces-release-of-third-album-gestureland/ Mon, 23 Aug 2021 19:31:14 +0000 https://f-bod.com/david-duchovny-announces-release-of-third-album-gestureland/ If there’s one regret David Duchovny has, it’s that he never wrote in his twenties and thirties. Acting in his own way throughout the ’90s, achieving cult status as Fox Mulder on The X-Files ahead of a seven-season streak on Californication, Duchovny never considered himself a writer, let alone a songwriter. A bloomer later in […]]]>

If there’s one regret David Duchovny has, it’s that he never wrote in his twenties and thirties. Acting in his own way throughout the ’90s, achieving cult status as Fox Mulder on The X-Files ahead of a seven-season streak on Californication, Duchovny never considered himself a writer, let alone a songwriter. A bloomer later in the middle, at the age of 55 Duchovny released his debut album Against all odds and first novel Sacred cow in 2015. Still significantly younger than his father, Amram, who published his first book when he was 70, Duchovny insists it’s never too late when releasing his third album. Land of gestures (GMG / Kyd heading west).

Following the release of his second album Every third thought in 2018, Duchovny ended up with over 20 songs after an unexpected wave of writing, and then made it a more intentional process. “I never wanted it to look like work, but I also feel like I’m a seasoned enough designer to know that you can’t trust that initial inspiration forever,” says Duchovny. “After a certain point there is a discipline, and I’m not going to write a song unless I take my guitar and tell myself to write a song. If you’re lucky enough to get the momentum going, there is nothing better, but if you have to sit down when things aren’t going well, that’s where the real glory comes. Anyone can write when they are inspired.

contrary to Every third thought, which included songs written before his debut, Land of gestures is a collection of completely new songs, which Duchovny recorded after a brief hiatus during the pandemic, with keyboardist Colin Lee, guitarists Pat McCusker and Keenan O’Meara, bassist Mitchell Stewart and drummer Davis Rowan.

“This is really the first album that presents a complete novelty,” says Duchovny. “When I started writing the songs, all of a sudden I had this rush of 20, 25 songs in no time. It was a new forum, and I had all these things that I wanted. say, and all those chord progressions that were new to me.

Land of gestures journey through all the signs, illusions, disillusions and gestures of life and all its nuances, from the indie impulses of “Nights Are Harder These Days” and the more folk inflection of “Holding Patterns” and “Chapter and Verse”, the latter who came to Duchovny in a dream and was completed two years later. “Everything is Noise,” written by O’Meara, lends a touch of sentimental pop, with “Tessera” offering a softer ear around “Layin ‘On The Tracks” political boost – Crowds will gather in the rain poisoned / To hear what they crave / Scream and cheer for what was once foolish / Passed for fun. Driving on the Pacific Coast Highway, David Duchovny remembers thinking the sun shines brighter on the Pacific Coast Highway because all the lights are on my way, which looked like its own “Hotel California”.

“They’re all about disillusion in some way or freedom once you see it through the illusion,” says Duchovny. “On ‘Pacific Coast Highway’ it’s the smoke and mirrors of Hollywood and on ‘Mind of Winter’ it’s the philosophies you were taught as a kid or the stories you have to step away from to come back and see clearly. “

Land of gestures ends around “Sea of ​​Tranquility”, a song originally inspired by the 1969 moon landing and the Astronaut’s Tranquility Base. “They landed in the ‘Sea of ​​Tranquility’, and it always seemed beautiful to me, and it’s a phrase that comes to mind from childhood,” shares Duchovny, who also linked the song to an article he read about a methamphetamine addict. couple who believed the moon was made of drugs with references to their deceased dog Blue and being blue. “We’re looking at the moon, and it affects us, and if you’re really fragile, you might think it’s made of drugs or something,” Duchovny explains. “I love swimming in the ocean, and I also thought about swimming in the sea of ​​tranquility, and all of these images started to come together.”

At Land of gestures, there are stories that are told, but it’s not personal.

“I feel like every song is a different character,” says Duchovny. “When I sing or write lyrics, I feel like it’s not necessarily me. It’s that other guy or a voice starting to speak. Yes, it is coming from inside me, but the translation of the feeling into words and music means that it is not me.

He adds, “When a song works, it actually speaks for the listener. It is not a puzzle to be decoded. I want to make room for you if I can. These are my favorite songs… when someone was leaving the room.

Reflecting on the protests and the pandemic, this is further proof of how important this “piece” is in songs, Duchovny says. “I think a good song can fit anytime, anywhere,” he says. “If you think of big protest songs like ‘For What It’s Worth’, it’s specific to things that happened in LA, but it doesn’t matter. There is something in the spirit of the song that translates, and you don’t have to be a Christian to be moved by “Amazing Grace”, so I hope my songs take on new meaning.

Although Duchovny started later, he still has more stories to tell. Ready to star in upcoming Showtime series based on her fourth book Really like lightning, Duchovny also finished filming the film at the helm of Judd Apatow The bubble. Always as much on the screen as his own stories, Land of gestures is part of Duchovny’s continuing script.

“I am fascinated by the idea of ​​gestures, signs and meanings, especially in the days of social media where everyone is pointing out and pictures are analyzed and moments become extremely important pictures,” Duchovny explains. “It was in my mind, but I don’t think it really influences the songs. I don’t think my songs speak now. They are just human.

Now three albums in, Duchovny finally considers himself a songwriter and is aware of his subject matter.

“I write rock and roll, popular songs, radio songs or whatever you want to call this business, but they’re usually not written by 60-year-olds,” Duchovny explains. “Rock and roll is about getting laid, having fun and drinking, and breaking your heart. It is the soundtrack of our youth. I wasn’t writing back then, so I can only write what’s going on for me now, in my head and in my heart.


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The journey of an up-and-coming Kentucky singer-songwriter born out of tragedy https://f-bod.com/the-journey-of-an-up-and-coming-kentucky-singer-songwriter-born-out-of-tragedy/ Sun, 22 Aug 2021 17:40:31 +0000 https://f-bod.com/the-journey-of-an-up-and-coming-kentucky-singer-songwriter-born-out-of-tragedy/ By MARK MAYNARD, Kentucky today NASHVILLE, Tennessee (KT) – Anne Wilson was always looking for the stars. She just never dreamed it would be as a contemporary Christian music artist. The 19-year-old Kentucky native aspired to be an astronaut until a tragedy in her life changed that course. Her brother’s death in a traffic accident […]]]>

By MARK MAYNARD, Kentucky today

NASHVILLE, Tennessee (KT) – Anne Wilson was always looking for the stars. She just never dreamed it would be as a contemporary Christian music artist.

The 19-year-old Kentucky native aspired to be an astronaut until a tragedy in her life changed that course. Her brother’s death in a traffic accident four years ago was heartbreaking, but it opened up a part of her that she had never known existed – a moving singing voice that could be used for God ‘s God. in a way never imagined.

Anne faced the death of her 23-year-old brother by sitting at the piano and singing. It was unusual, says his father Kent, because his parents only heard him sing hymns in church. While she was a competent pianist, having learned from an early age, she was never a performance singer, he said.

Her mother heard her play and sing and was so touched that she asked Anne if she would sing at Jacob’s funeral. She first said no, that she didn’t think she could get away with it, but then told her parents that she would.

“I went up to my room and locked myself in,” she said. “It was difficult to deal with everyone at home. I remember asking God, “I know I can’t do this with my strength. Let me understand, ‘and He did it. I had a peace that came over me, that’s how I knew I had to do it.

For example, the first time Anne Wilson sang in public, it was in front of 1,200 people at her brother’s funeral. Her rendition of “What A Beautiful Name” was fascinating. She used friends who played the violin, guitar, and keyboard to complement her singing. “It was really a show of worship,” she said.

The music was so good and moving that they were then asked to make a video with the same group of friends, which included his sister Elizabeth on the keyboard. It became an overnight sensation on YouTube and was ultimately the link that got him to contact an agent in Nashville.

“That’s what started it all,” Anne said. “It went viral within a few months of 2017. A lot of things started to happen quickly. God has done a lot of miracles.

Once she graduated from high school last May, she became more involved in her thriving music career than she had ever even envisioned. Anne has since moved to Nashville and has had to adjust to being “an adult grown up and having to figure out what life is like.”

Three record companies were making offers and it became a whirlwind career move to Nashville for the teenager who first had to finish high school at Veritas Christian Academy in Lexington. NASA will have to wait.

She started writing music with some of the biggest names in Christian music. Matthew West collaborated with her on the hit song “My Jesus” which was released earlier this year and skyrocketed the charts and became one of the hits of the year. The “My Jesus” music video has over 4 million views on YouTube, 12.9 million views and 290,000 shares on Facebook. His three-singles EP, “My Jesus,” became Capitol CMG’s biggest debut single release by a new artist in nearly 10 years. Wilson also entered Spotify’s USA Viral 50 chart with her hit song for 10 days.

“It’s amazing how God worked in her life,” her father said. “My wife (Lynn) taught our three children to play the piano. My mother did the same to me. Anne hated it the worst of the three. Now watch how God uses it.

Anne Wilson’s schedule is booked with shows every weekend, and she writes music two to three days a week with some of the world’s greatest Christian songwriters, including West and Jeff Pargo.

Her father said that if her path had not been changed by God, she would have done so as an astronaut. “She really cared about it and was a very, very good student,” he said. “She could have pursued him and probably would have hit him.”

Anne said she is always intrigued by space and if ever the opportunity arises, she would love to take a trip to the stars. “I have a huge passion for this,” she said. “If something happened and I could go into space, I would take it.”

Meanwhile, his musical career continues to soar. On August 10, his live EP with “My Jesus (Live in Nashville)” was released by Capitol Christian Music Group. It contains five songs recorded live from White Dove Barn in Nashville, including a Little Big Town cover of “Boondocks” and a new song “No Place Like Home”. Celebrating the release, Wilson also kicked off the live video performance of “No Place Like Home”.

The new song, “No Place Like Home,” is about her brother and their memories together on her grandfather’s farm in Knox County, Kentucky. It’s his favorite song so far and the one West has collaborated on as well. It was written on the same day as the hit “My Jesus”.

“It came together in about 10 minutes, which is such a testimony that God gave us this song,” she said. “It’s my favorite song and the most special song.”

Anne said she’s still a Kentucky girl at heart and plans to build a house on this Knox County farm where her grandfather and grandmother own hundreds of acres. The memories of the time spent with her brother and sister there are rich and vivid, she said.

“Barbourville is my favorite place in the world,” she said. ” I want to go back there. I love our farm. The three of us (brothers and sisters) are very close. Mom and Dad emphasized how important it is for us to stay close. We were each other’s best friends.

While Anne has moved to Nashville and has a busy schedule, her parents still live in Lexington. They were members of the Andover Baptist Church when the children were young. His paternal grandmother is a member of the First Baptist Church in Barbourville.

Anne will be on the Big Daddy Weave “All Things New” tour and she will be making her stage debut at Opry on September 4th. Meanwhile, she continues to write and record new music for a debut album in the coming months.

“I want God to do what God wants me to do,” she said. “As Christians, we are here to bring people closer to the Lord. Jacob’s death changed my perspective. Everything I do on earth, I want it to glorify God. I surrender to Him. I don’t know what the future looks like, if it will be a long career, or if it will be over soon. Whatever he wants me to do.

When asked what his brother would think of his overnight success, she replied that he would be “super proud of me. I know how he was. He was so proud of me and my sister even with it. the smallest things. He would probably be with me because he always wanted to protect me. I think he can totally see me and he’s totally with me.


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